The Emulator FT is a huge, projection, multi-touch display that is a hell of a lot more engaging to watch than some laptop jockey hunched behind a tiny screen.
The moniker "OMG-1" is quite suitable. I may have taken the extra step and gone with OMFG-1 but I suppose they can use that for a follow-up product.
Spectrasonics gave away the OMG-1 in a contest to benefit the Bob Moog Foundation.
I collaborated with my friend Kevin Weed and we submitted a piece. While we didn't walk away with the OMG-1,
we did get a Creative Excellence Award :)
It makes my job easier when the product name writes my title for me. The Synth Bomb is a four-oscillator mono synth that uses photo sensors
to control the levels of each of the oscillators. Since there's not really any pitch control don't expect to play anything approaching a melody with this.
The Vostok has been around for a few years but they made some design improvements and gave it a snazzy new red paint job,
perfect for evoking Soviet-era imagery.
The 569 Quad Sequential Voltage Source (top) and the 568 Quad Sequential Trigger Source (bottom) should set even the most jaded modular synthesist's heart a flutter.
Four separate synchronized or unsynchronized independent patterns can be output from these gadgets.
At more than $20,000 U.S., the cost of the new incarnation of the new Fairlight CMI is uncomfortably close to that of the original. Isn't technology supposed to get cheaper?
It that's a bit too much money, you can have the original Fairlight CMI on your iPad or iPhone for $10.
As a former trombone player and music-tech junkie you'd have thought I'd have heard about this before I saw it at NAMM.
While the iBone has been around for a year or so, they were also showing their new iTrump app. I'll let you guess what it does.
There was a whole iPad section in Hall E this year. The samplelab app really does an excellent job of utilizing the touch screen
interface. It's far more than just a desktop application shoehorned into the iPad.
Jammit is an app that lets you play along with a tune and provide one of the instruments that's been removed from the mix.
While this is not a new idea, when I popped on the headphones and listened to tracks
by Deep Purple and Foreigner, I could hear that these were the original tracks, not recreations.
These guys pulled off quite a coup simply gaining getting access to the original multitrack tapes.
With this handy little box you can interface your iOS (iPod, iPad, iPhone) with your computer and MIDI gear.
At their booth it was kind of surreal to be playing an iPad music app with a relatively ancient MIDI keyboard.
The last entry in the iPad category is the AirTurn. With these Bluetooth momentary switches you can turn pages on your iPad sheet music app.
There are already more than a dozen existing compatible apps.
This high-tech version of poster board and sharpie provides lyrics, music, set lists, or whatever you need to have displayed on stage.
It would be particularly cool if they could combine this product with a transducer technology like this,
although I suspect that high SPL's would reek havoc with the LCD.
It looks like they've taken a 21" LCD monitor and built it into a box with low profile encoders and buttons in strips over the display.
That makes for a very flexible display with physical controls. Internally it's running a version of XP and its software can host VST instruments
so you're not locked into a specific set of sounds.
From the people behind the Virus synth comes the Kemper Profiling Amp.
This rather interesting box captures the sound and dynamic response of the amp, cabinet, and mic by feeding signals to the amp and analyzing the results.
In theory you could profile all your favorite boutique amps and carry them around in this lunchbox.
Dave Smith never seems to ever sit still.
Putting him a room with Roger Linn will inevitably cause a device such as the
Tempest to spring into being in a flash of heterogenesis.
