Chris Cardone (and his magnificent moustache) definitely qualify for the evil genius category.
His 24 string monster of a bass is essentially an 8-string bass with each string containing three courses. Think Tom Petersson squared.
With the addition of an extension port (suspended with threaded stock and wing nuts no less), these instruments are capable of producing a two octave major scale with just the player's embouchure.
Over the last several years I've seen all manner of plastic instruments at NAMM but it wasn't until this year that the holy grail had been achieved. I present the plastic Tuba.
They told me this was a Tibetan instrument. We won't be discussing how it came to be in the possession of a Chinese company.
This Matryoshka / Theremin hybrid is not to be trifled with. The moment you show fear, it's all over.
Until you get really comfortable with one of these you'll likely be constantly staring towards the ground.
The hexagonal key layout is similar to the Axis Natural Keyboard that I saw at NAMM in 2007.
I have to imagine that someone at Novax is familiar with the old Coppertone ads.
…so the obvious solution is to leave them off completely. This instrument should be sufficient to play just about every pop song ever written.
Zivix has moved quite a distance from their humble beginnings with a kit that turned a real guitar into a Guitar Hero controller.
Their new Jamstik is a Bluetooth guitar controller that will interface with guitar teaching apps.
I know it's a bold statement but this may be the ugliest bass I've ever seen at NAMM. I'm guessing this was a commission because the other Marco basses were really quite attractive.
It could have easily been yet another overwrought design but I actually love this colorful abstract pastiche.
On the right, the Warwick Guy Pratt signature bass with sliding pickups, on the left, Freddy Krueger of basses.
I think the artwork found on the Dragon Pearl Bass would look more at home on the back of a Yakuza.
©2015 Barry Wood